- Diamant-Berger, Henri
- (1895-1972)Director, producer, and screenwriter. Henri Diamant-Berger began his career as a journalist and film critic, ultimately becoming the editor of the journal Le Film. He began dabbling in screenwriting just prior to the war, and several of his film adaptations were made into Pathé silent films, no doubt in part because of Diamant-Berger's connections to André Heuzé, who had founded Le Film. Silent films based on Diamant-Berger's adaptations include Heuzé and Léonce Perret's Debout les morts (1916) and Raymond Bernard's Le Petit café (1919), starring Max Linder.Diamant-Berger soon added directing to his repertoire. He directed for Pathé a twelve-episode serial adaptation of Alexandre Dumas's Les Trois mousquetaires (1921). The film was exceptionally well done, enormously popular, and is still regarded as one of the classics of silent film.In 1922, Diamant-Berger left Pathé to found his own production company, Le Studio de Billancourt, buying an old aviation works that had been converted into a film studio. The studio was one of the first independent studios, outside of Pathé and Gaumont, and it was the first studio that was not made of open-glass. He began producing his own films there in the same year, continuing the Musketeers saga with a sequel series, Les Trois mousquetaires: vingt ans après (1922-1923). The series was an enormous success, which was a great triumph for Diamant-Berger. He went on to make yet another sequel, Milady (1923), and in the same year produced and directed Gonzague (1923), L'Affaire de la rue Lourcine (1923), Le Mauvais garçon (1923), and Par habitude (1923), all of which featured Maurice Chevalier.Diamant-Berger continued directing films in the sound era. He made some twenty or so sound films including Les Trois mousquetaires: Milady (1932), Les Trois mousquetaires: les ferrets de la reine (1932), Miquette et sa mère (1933), Arsène Lupin détective (1937), Arsène Lupin contre Arsène Lupin (1937), La Maternelle (1948), Monsieur Fabre (1951), Mon curé chez les riches (1952), and Messieurs les ronds de cuir (1959). Diamant-Berger was largely a popular director. Outside of Les Trois mousquetaires (1921), and possibly Arsène Lupin detective (1937), none of his films was particularly critically acclaimed. However, many of his films, particularly Miquette et sa mère (1933), have achieved a particular status in French-film history, and certainly memory.In addition to producing his own films, Diamant-Berger also produced the films of a number of other directors. He produced René Clair's Paris qui dort (1925) at Billancourt, as well as Abel Gance's spectacular Napoléon (1927). The film had to be cut from ten episodes to only one because of the enormous costs involved. He also produced Karl Théodor Dreyer's La Passion de Jeanne d'arc (1929), although he sold Billancourt shortly thereafter to Pierre Braunberger and Roger Richebé.In later years, Diamant-Berger produced several of Robert Dhéry's films, including Branquignol (1949) and La Belle Américaine (1961). He also produced Robert Lamoureux's Ravissante (1960) and Jean-Pierre Mocky's Un drôle de paroissien (1963) and Les Compagnons de la marguerite (1967).
Historical Dictionary of French Cinema. Dayna Oscherwitz & Mary Ellen Higgins. 2007.
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Diamant-Berger, Henri — (June 9, 1895, Paris, France May 1972, Paris, France) After his law studies, he was an amateur stage actor and then a journalist, publishing his articles in Gil Blas. In the early 1910s, he met director André Heuzé, with whom he created an… … Encyclopedia of French film directors
Diamant-Berger, Henri — (1895 1972) Director, producer, and screenwriter. Henri Diamant Berger began his career as a journalist and film critic, ultimately becoming the editor of the journal Le Film. He began dabbling in screenwriting just prior to the war, and… … Guide to cinema
Henri Diamant-Berger — Pour les articles homonymes, voir Diamant Berger et Diamant (homonymie). Henri Diamant Berger (Henri Simon Diamantberger), né le 9 juin 1895 à Paris 9e et mort le 7 mai 1972 à Paris 5e, est un scén … Wikipédia en Français
Henri diamant-berger — Pour les articles homonymes, voir Diamant Berger et Diamant (homonymie). Henri Diamant Berger est un scénariste, un réalisateur, un acteur et un producteur de film français, né à Paris (France) le 9 juin 1895 et mort à Paris le 7 mai 1972.… … Wikipédia en Français
Henri Diamant-Berger — (June 9, 1895 May 7, 1972) was a French screenwriter, film director and producer.Born in Paris, France to a Jewish family, he studied to be a lawyer but was drawn to the motion picture business. He began his career in the cinema in 1916 as a… … Wikipedia
Henri Diamant-Berger — (* 9. Juni 1895 in Paris; † 2. Mai 1972 ebenda) war ein französischer Filmregisseur und produzent. Inhaltsverzeichnis 1 Leben 2 Filmografie (Auswahl) 3 Weblinks … Deutsch Wikipedia
Diamant-Berger — Cette page d’homonymie répertorie les différents sujets et articles partageant un même nom. Pour les articles homonymes, voir Diamant (homonymie). Diamant Berger est un nom de famille porté notamment par : Henri Diamant Berger (1895 1972),… … Wikipédia en Français
Diamant-Berger, Jérôme — (September 25, 1950, Paris, France ) The grandson of director and producer Henri Diamant Berger and the son of a script supervisor mother, he spent many hours of his childhood on sets. He studied in arts, architecture, and design schools and… … Encyclopedia of French film directors
Les Trois Mousquetaires (film, Diamant-Berger, 1921) — Pour les articles homonymes, voir Les Trois Mousquetaires. Les Trois Mousquetaires est une réalisation d Henri Diamant Berger qui, à l époque, était un film à grand spectacle composé de plus d une centaine de figurants, de somptueux décors… … Wikipédia en Français
Les Trois Mousquetaires (Diamant-Berger, 1921) — Pour les articles homonymes, voir Les Trois Mousquetaires (homonymie) et Les Trois Mousquetaires (film, 1921). Les Trois Mousquetaires est un film français d Henri Diamant Berger sorti en 1921. Le réalisateur tournera une version sonore,… … Wikipédia en Français